3D LUT Support You can preview looks on set thanks to the ability to load 3D LUTs onto the Shogun. ON-the-fly re-calibration is available with the Atomos Spyder calibration tool, sold separately. A standard Canon C-Log calibration is also available for use with Canon EOS Cinema cameras, so you won't have to look at flat, washed-out looking images on set. 709 with 100% gamut and D65 white point, letting you monitor your colors with confidence. 709 Color Calibration Each of the monitors incorporate a 7" IPS screen features a 1920 x 1200 resolution and provides a wide viewing-angle of 178° for easier off-axis monitoring. Uncompressed Cinema DNG Raw 4K video is also supported from capable cameras. 10-Bit 4:2:2 Recording Record in 4:2:2 Apple ProRes or Avid DNxHD or DNxHR formats from your camera's uncompressed SDI or HDMI output, bypassing a round of internal compression and data loss. 1080p up to 120 fps Record up to 120 fps in Full HD (1920 x 1080) for high-resolution slow-motion shots. The 4K-capable HDMI input makes the Shogun particularly useful for recording 4K output signals from cameras such as the Sony a7S and Panasonic GH4. Record UHD 4K & Raw Video Bypass your camera's internal compression and record UHD 4K (3840 x 2160) video to Apple ProRes over HDMI or 12G-SDI at 23.98, 24, 25, 29.97, or 30 fps. This configuration is suitable for live event, studio, on-set and Broadcast professionals. With two slots, one for each monitor, for a master recording caddy, you can simultaneously record the signal being fed to each monitor.ĭual Monitors in a Rackmount Chassis The Shogun Studio installs two Shogun monitors in a 3 RU rackmount chassis, with removable rackmount ears. There are also a variety of onscreen tools to help you set up your shots, including a full waveform monitor, RGB parade display, vectorscope, focus peaking, and framing, focus, and exposure assisting tools. The Shogun Studio supports Tally function, custom 3D LUTs, Genlock In for multi-camera syncing. As an added convenience, 4K signals can be internally down-converted and output in 1080p at the same frame rate. An SDI loop output is available for passing the signal to an additional monitor. 709 color calibrated and supports multi-frequency operation (48/50/60 Hz) for monitoring of a variety of input frame rates. Video is recorded to single or raided 2.5" HDD and SDDs for fast and reliable write speeds.Īs a monitor, the Shogun features a 7" IPS capacitive touchscreen display with resolution of 1920 x 1200. It can also record HD video using Avid's DNxHD format and UHD 4K video using Avid's DNxHR. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. ![]() This configuration is well suited for live event, studio, and on-set DIT work. For example if I look int the source window at a particular clip I see it's in and out marked on the timeline portion with a source number up top on left but on right it has little filled squares.The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. the source in's and out's it is looking for). The same occurs whether I have "use embedded timecode' or "use frame count".Īlso if you have any suggestions on how I can see the edl information the AFF has in it (i.e. ![]() If I do the above but keep the project settings at 23.976 the imported AAF still has the wrong i/o's. ![]() If I set it to the frame rate of the clips when I import the AFF I get "Question" the selected conform rate (30fps) is different from the native rate of the timeline (24fps) Are you sure you want to continue?" If I choose yes the timline appears with clips in it but the in's and outs are all wrong. If I start a new project and import the media first I get a message "the clips have a different frame rate than the project settings". If I start with a new project and set under Project Settings/General Options 'Use Timecode From the source clip frame count' I get the same errors. If I start with a new project and set under Project Settings/General Options 'Use Timecode Embedded in Source clip' I get errors such asĬlip 'C0011_Sc2_6_side from passenger' in track V1 at timecode 01:00:37:09, with reel name 'C0011_Sc2_6_side from passenger' and filename 'C0011_Sc2_6_side from passenger.MP4': I have been supplied with an AAF file and the source video files and I am having trouble getting the AAF to conform.
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